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The Open Book is a project that Alyza Taguilaso thought of while stuck in traffic one October afternoon in 2009.

Her goal is to produce a piece of poetry or fiction at least once a week from each piece of art she managed to create in her Moleskine sketchbook from 2007-2009.

For the curious, the name of the sketchbook is Artifice.

BUT THIS IS REALLY WHAT'S HAPPENING:
Apparently this was much harder than I thought, so, anyway, in the spirit of an open book (in a way), this blog shall momentarily become Lyza's writing blog.



Other Hiding Places

Happy Poodles & Raw Noodles
My doodle blog!
LiveJournal
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Just so you know-

All art, poems, and fiction © Alyza Taguilaso unless stated otherwise. Stealing is bad.


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18 March 10

A poem about sadness

Here is a poem that tastes like loneliness
the first time it makes a home
in your heart. You let it enter,
because we all start out open,
the folds of our bodies eventually closing in
only after we understand
the consequences of spaces, of why
we have bodies to contain ourselves,
and of why, sometimes, absence is necessary.
It will ache, but not just yet. Like being alone,
this poem will take its time, will try
to find its way amongst your tangled vessels. It is furtive,
like a smile you keep to yourself the first time you fall
in love, croire autant dans l’avenir
que n’avait pas eu lieu – believing
so much in the future. Taking everything:
gesture, letter, smile
as a sign for something wonderful. Here:
a poem about sadness,
the polite kind that visits you
in the silence of your room.
The one that prepares presents
to appease you – coats to warm you
for the night, creates necessary fictions –
wrapped up in ribbons,
disguised to leave you expecting
the arrival of someone
you mistook for happiness.

*Thanks to Alyssa (@cardinalfire) for the French translation. :)

Tags: sadness poetry
13 March 10

The Story of Love:

0

begins with an explosion.

1

My great-great grandparents were making love and the First World War decided to happen. When they later found out of the nearby barrio blown into a million pieces, they were frantic for penance. They called to their gods, offering shrapnel, offering prayer, thinking people died because of how much we loved each other.

It meant: they would forever equate love with guilt.
It meant: they would never be able to control it. They had 24 children, 12 of which died in sickness or childbirth.

Their children grow up, another war takes place in some distant continent. The world sees for the first time what sadness means (i.e., the holocaust, or seeing your son die before you can even say his name the first time).

2

In a class on animal physiology I was taught that what we know of love is governed by the hormones vasopressin and oxytocin. The act of frequently caressing each other sends particular signals to the brain. The signals tell you: this is pleasure, this is what it means to be happy, and, yes, it is good; yes, more please. This is why people sometimes feel the need to touch themselves.

How strange:
Realizing that what has taken centuries to capture is within our own bodies.

Stranger, still:
A million dissections and experiments and tragedies later, we have no clear answers to why people fall in love. When someone says I have an answer, on the question of falling in love, someone else jumps up and says I have an answer.

I think that we like answers so much that we forget what it means to ask questions.

Like this one: what will it take to make you fall in love with me?
I have many secrets.
I will trade you 7 secrets if you will tell me what it will take to make you fall in love with me.

My mother keeps only 1 secret:
she cries once every 3 years. Each time I caught her crying I became more convinced that she discovered a way to measure sadness. I never asked mom why she cried. It’s something daughters know. Mothers and crying. Mothers, crying.

When I was 14 a girl told me she loved me and asked if she could kiss me. She wasn’t beautiful, but I liked the slant of her shoulders. I said No, not because I didn’t want to kiss her but because I didn’t want her. I was 14; I was sure I knew the difference between Yes and No. Like cat and dog. It took a few years later to realize what No meant. The second boy I loved said No when I asked to hold his hand. Do we measure happiness by comparing it to the number of times we’ve felt sad?

I remember his hands: his perfectly molded hands.
Slender fingers forming a hook, pulling at my chest each time.

I am a fish with my chest ripped open.
I am a mermaid learning to swim.
He played the piano with such grace.

3

Charles Dickens said that accidents will occur. I believe this is untrue. Many lonely physicists spent sleepless nights finding the perfect formula for the atomic bomb. I am convinced that because people cannot contain love, they find a million ways to destroy themselves. Ask my cousin. He killed himself 3 years ago. I can’t remember his name, we weren’t close. They said he did it because his wife was leaving.

My great-grandfather was the eldest of 12 surviving children. When he was young, his father gave him a gun to protect himself. When he was older, he killed 3 people with it: a single bullet each, right where their hearts were. When asked why he did it, he said I have an answer.

Another thing science has taught me: 83% of dust is made from human skin. The more we touch each other, the greater the chances of dust gathering at our feet. This is probably why mother forbade visitors from coming over after father left – it would take a long time to sweep memories of him away.

4

This is why people keep dead things in museums. We like to keep what was in the past but we avoid anything that tells of passing.

Some people think this is how we first learn to love: wanting, without the necessary pains:

  • A butterfly is mounted in a case.
  • The exoskeleton of a dinosaur is trying to tell us something: some things had to die so people would exist.
  • Somewhere, in the museum a child dares to touch what is on display, even when the sign says No.


The bible was written in increments. Centuries, patiently letting dust gather around the letters. Before that people relied on their mouths to remember. When mouths started getting filled with what would later be called kisses, they had to resort to other body parts. Meaning: hands.

The world was young and so were our bodies. We had so much time to learn about secrets (i.e., the sunset, the sky, why people can’t fly).

So calligraphy, the art of controlling mind so it slows to the pace of hand, was invented. Leaf, parchment, skin – it was like the desire to capture yielded an explosion of canvasses, of empty spaces and voids we had to fill with ourselves. As if the world said: yes you may leave your mark now.

5

Vincent van Gogh cut off his left ear and gave it to a prostitute, saying keep this as you would a treasure. It is only human to give parts of yourself away when you’re in love. Legend says his last words were

La tristesse durera toujours
This sadness will last forever.

6

I have a theory that sometimes people are born empty – heavy hearts yearning for something to fill its vessels. A long time ago, everyone was beginning to understand what it meant to love, one mistake at a time, yet always the same question. Someone said it was more interesting than a horde of miracles, and this gave birth to the first of blasphemies. People soon realized that they needed a point of reference for love. Something was needed to fill the void –

  • Figure 1: God.
  • Figure 2: Somewhere: there is an apple, red and ripe.


It falls from the tree without effort. Without so much as making a sound, the apple plants itself on the head of a man who wanted to understand the world. Immediately he realizes I have an answer. It is not love, but it certainly felt like it.

In July 5, 1687, the world first learns of gravity.
323 years later, we are still trying to understand it.

If I come close enough for you to touch, and if I promise you:
my body will welcome the uncertainty of your fingers,
would you reach out?

7

Legend says Adam remembered the taste of the apple before the Lord took him back, erasing the stain that was sin.

Is that what it means to be loved:
turn to dust; forget what it means to be the first man to love? Be without a body?

Eve died later on, but while she lived she kept the apple beside her. Each night she would smell it, take tiny bites, reminding herself how Adam’s kisses felt, keeping with her the taste of what he had so easily forgotten.

Sin: what was to blame for a lot of things (i.e. love).

8

They say that love exerts the same force on our bodies as fear.
This means our bodies are telling us that being terrified and in love is one and the same:

  • Pupils dilating
  • Palms wet with sweat
  • Hearts skipping beats more than it should


When I think of love and fear I think of mom and dad. One day dad woke up and realized what he really loved: himself; his need for other women. Mom modified her affections: they argued more, threw things around. Women never say what they mean. What she probably meant when she said you’re a monster was:

why can’t you love me anymore?

When grandmother, who was a doctor, found she had cancer, she asked why.
No one had an answer, not even her body.

She died, I started writing.

9

The dictionary is the only place where answer comes before question. It makes for a great joke, but no one laughs at this. Biology offers a lot of funny explanations: a squid has 3 hearts. You have 1 heart, quartered perfectly to accommodate your body. Why do you act like you deserve more?

10

We all have holes in us. In anatomy it is called coelom.
This means: it is natural to feel alone in this universe.

11

When you are swimming near a reef and the water feels warm, that means the corals are making love, cooing to each other in voices more fluid than water. A caveat: nothing in the sea knows how to love. That is why the sea is sometimes so dark, and waves find it necessary to crash against each other again and again. Water cannot hurt itself. We invented mermaids to forget this – we wanted something to complete what was already wet and soft and almost perfect.

Mermaids:
girls who can’t walk, who will not run away.
But mermaids are difficult to feed: their diet consists of eating people.
For this reason we keep pet fish.

12

What this says about us:
we only want what we can
contain, what we think
we can live with.

13

Imagine how the universe feels. Containing us and our ridiculous search for love. The universe does not have a void but is a void in itself. We are alive in this massive, empty cavity and yet I attach meaning to everything you do. The universe never asked anyone for an explanation.

I am now going to tell you how I don’t think it’s possible to explain how much I love you.

The first time we met was in a cramped room. I couldn’t catch the sound of your name. Later on you told me that you knew me from a year ago, a stranger. You didn’t know my name but my face stuck to your memory. I said you were funny. You didn’t find that amusing, but I could tell you liked my laughter. I thought you were sweet (on most days), but I never told you. Women never mean what they say.

Don’t get me wrong: I don’t love you.
I don’t love anyone.

I just like thinking about how your hands held my shoulders, trying to keep me
when I said No.
All I wanted to find out was: how much you wanted me.
Or, maybe: how much I wanted you.

But, really: I would like to know what it will take to make you fall in love with me.

14

Someday we will both be parts of stars – all cosmic dust and dissolved memories. How sad that when we are closest we cannot even feel it. Today I try my best to plant fingerprints all over you. I do this so that when my face fades and my fingers stop their curious strokes, your skin – the first to become dust – will be familiar with me. I will have left you with more than enough.

15

This sadness doesn’t have to last forever.

16

Sometimes I think the universe endlessly expands to keep us away from the things we want.

Like how I could never commit
to memory: the way
grandmother said she believed in happy endings.

17

Here is a secret:
She died, I started writing.

—-

Tumblr totally sucks when it comes to format. I couldn’t even center the parts that should be centered. :<

20 February 10

Freecut

We find out from someone in the morning class that she’s absent again. The third time in two weeks. The test draws near and no one is anywhere near knowing: interstitial cells, the makings of an ovary, et cetera. What’s the zona pellucida again? Joey says something about blastocysts but I’m too busy fixing my bag, another zipper left open. I pick up my notes from the bench and Cara says Let’s go eat. It seemed like a good day – I could see a few birds biting on some students’ leftovers in the corridors. They jump around and chirp. I see two cats walking by, eyeing the food. One of them makes a strange sound and I wonder if it’s mating season. No one bothers checking the classroom.

15 February 10

Why I Write Poetry

Because sometimes, giving daisies,
or roses – red, red, red always
red, is not so much the right present, as to offer
larkspurs, or say – foxglove,
carefully bundled – to mend a heart
broken far too often. You need to know
the nature of its edges, find the right place
to plant your flower so it bears fruit. Because

this is why, I had dreams of flying,
of seeing the grey dissonance of nimbus
around me, cirrus, kissing my face.
Imagine: seamless patch of sky
draped in a neverending sea
of cyan stretching endlessly, yes
it is pleasing to the eyes
but after a world of nothing
other than the same sea, the same
old sky, why else look? Why tire my eyes
with a thing that has taken root
in what is far too familiar?

* a friend asked me why, a few days ago. I figured it out, I think. The answer is bound to change. Check back often.

Tags: poetry sigh
13 February 10

Motion Along a Straight Line

This is how we avoid collisions: move
in a perfectly straight line. Place your mind
on the backseat, comfortably tucked under
a safety belt. The only thing that matters
is your body, moving
along a straight line. Parallel
to the motion of all other bodies
beside it. My body, your body, moving
without the slightness of tensed muscles, without
the slightest wanting
to swerve, or turn somewhere else.
There are no maps
because there is only one road:
long and smoothened
with pebbles. Nothing will hurt
the soles of our feet save the scabs
that have long begun to chafe away. Nothing
will follow us, I’m sure. Well
maybe, something would –
some injured memory limping
to catch up, dragging with it our old shoes,
disturbing the sleeping pebbles,
calling us to stop.

Tags: poetry
1 February 10

Portraiture

See how what is being drawn out is no longer yours:
you asked me for this. You,
looking at your own face with disgust.
You, who never sought to see
the arduous necessities of catching light
by surprise; an artist is made
to learn these things. An artist’s hands are so used
to aching, eyes
knowing that the hardest thing to see
is what’s in front of you. What the mind chooses to ignore

the face is sure to keep with it –
a thousand captured folds telling a story
each time – creased on its pages;
how your smile is lopsided, or sometimes trying
too hard. Do you see
how there is a slightly hairless patch
of skin where your lover used to kiss; do you see
how you have aged the way you have,
your face, tinged
with something that was once beautiful?

I would have shown you the playfulness
of shadows on your face, the remaining luster
in your old eyes would have shone, your lips still
giving its best efforts to smile.
But before I had the chance, already
I am rendered a liar,
paid to make you into something pretty
as though it were that easy to impart grace.

Tags: poetry
29 January 10

Missive

Because this was the poem I wanted to write for so long:
of things that made me believe

in walking in the rain with an umbrella
and being wounded when I least expected to, at the same time

delivering just the right amount of aching. This is what’s kept me
like this for so long, always caught up

with memories of you smiling, you
beside me: the inescapable inability

to understand everything that has gone between us. The inability to grasp
the truth: how you never really said “no” all those moments I felt lost

in your silence – waiting for a reason. Always
waiting and staying still, fetal

and curled up in bed, each facing
the other way. Is this what it means to feel

the weight of something far too late? Is this estrangement
the only thing we dared share with each other?

What do we call this? What name
do we give this failure to believe in our happiness?

Neither of us were wrong
to have felt frightened
by this kind of wanting.

21 January 10

In Case of Babies

Do not feed it.
Keep at a safe distance.

Do not call it by its name, do not call it names.
Instead, say that it has its mother’s eyes or its father’s chin.

Such a thing is best kept
with its mouth shut and toothless.

14 January 10

Fantasy

Confession: I dream of terrible things
I would love to do to you.

On some instances you are pinned to silken sheets. On others
I am the one trying to breathe. Sometimes you will try to kill me.
In all occasions everything happens quietly;
the only sounds are those made by our chests, by our hearts
beating at our chests, and the unreliability of our breathing.

How much they consume me: these visions
of fucking you over and over. Because I am an artist
in these dreams I am painting your skin
with bruises. I am tracing the taste
of something both frightening and familiar
on the thin edges of your mouth. Nothing is to be trusted

in these dreams. Even that part where
I am taking every inch of you with a swiftness
granted only to hands like mine. Hands
calibrated by years and years of practice
painting faces of strangers. Giving you
something to look at. Something that is not real
but is infinitely more beautiful than the original.

I am an artist. In my dreams I am tracing a smile
across the thin edges of your mouth, unmaking every inch of you
until all you know of wanting dries into
the sharp edges of my name.

Read More

8 January 10

The Prisoner, Charles Simic

poetry365:

He is thinking of us.
These leaves, their lazy rustle

That made us sleepy after lunch
So we had to lie down.

He considers my hand on her breast,
Her closed eyelids eyelids, her moist lips
Against my forehead, and the shadows of trees
Hovering on the ceiling.

It’s been so long. He has trouble
Deciding what else is there.
And all along the suspicion
That we do not exist.

Reblogged: poetry365

Themed by Hunson. Originally by Josh